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FILM COMMENT
General, Mainstream Bimonthly Magazine from New York ,United States
Ceased publication

- First and last issue: 1962-May/June 2020
- ''A forum for smart, idiosyncratic writing about movies.''
- Published by the Film Society of Lincoln Center.
- Six issues per year.
- Film Comment in Facebook
- Published by Film Society of Lincoln Center
- Website: www.filmcomment.com/

Last updated:
28 May 2023
(see recent updates)

Special thanks for this page goes to:
Garry Malvern
Pierre Greenfield
Scott Matheson
Debi Ziemkowski

COVERS FOUND & MISSING

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Highslide JS Listing is complete and all covers have been found.

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CONTENTS: 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 All

GALLERIES: 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 All

Issue 57
November/December 1976

Journals: L.A. (Mitch Tuchman); Venice (Stephen Harvey); Telluride (Elliott Stein); Louis Feuillade: Maker Of Melodrama (article by Richard Roud); Francis Ford: Brother Feeney (article by Tag Gallagher); The Nostalgia Express (interviews with Vincente and Liza Minnelli and Ingrid Bergman by Gideon Bachmann); One Kind Of Dream: A MATTER OF TIME (review article by George Morris); Old Wine, New Battles: Structuralism or Humanism? (article by Robin Wood); Song For Woody (article about the making of BOUND FOR GLORY by Joseph McBride); Independents: A Reader's Digest Of The Avant-Garde, Part Three (article by Amos Vogel); Cops And Robbers: Themes And Variations (article by Tom Ryan); An Agent: Jeff Berg (interview by Richard Thompson); New York Film Festival (reports by James McCourt and Elliott Stein); Middle Chabrol (article by Peter Harcourt); Stephanie Rothman: A Feminist On Poverty Row (article by Terry Curtis Fox); My Favourite Films/Texts/Things (a poll conducted by Jonathan Rosenbaum); Book Reviews: three John Ford books and "The Oxford Companion To Film".

Issue 56
September/October 1976

Festival Reports: Cannes (by Mary Corliss); Berlin (by Richard Roud); Brasilia (by Brooks Riley); New York (by Charles Michener and Tony Rayns); The Pakula Parallax (article by Richard T. Jameson); Mr. Pakula Goes To Washington: an interview with Alan J. Pakula about ALL THE PRESIDENT'S MEN (by Richard Thompson); Bank Shots (article on film financing by Stuart Byron, with an interview with two film financiers by Patrick McGilligan); DUELLE: Notes On A First Viewing (review article by Jonathan Rosenbaum); SERAIL: Eduardo de Gregorio interviewed by Jan Dawson; Independents: Reader's Digest Of Avant-Garde Film History, Part Two (by Amos Vogel); Television: Suds And Sympathy (article by Roger Ebert); The Industry: Encyclotedium (article by Stuart Byron); Kid Stuff: Francois Truffaut interview about L'ARGENT DE POCHE (by Joseph McBride and Todd McCarthy); A Family In A Ford (article about THE GRAPES OF WRATH by Janey Place); A Voyage In India (Satyajit Ray interviewed by John Hughes); Bernrad Herrmann: Music Of The Fears (article by John Broeck); Book Reviews: including a review of "The New Wave" by James Monaco.

Issue 55
July/August 1976

Journals: London-New York (by Jonathan Rosenbaum) and Australia (by Jan Dawson); Justice Is Blind - And Dirty-Minded (article by Brendan Gill); Billy Wilder - Closet Romanticist (article by Andrew Sarris); Interview: John Milius (by Richard Thompson); Three Blue Birds (article by Tag Gallagher); Pat O'Neill In All Directions (article by Mitch Tuchman); The Industry: Martyr Complexes (article by Stuart Byron); Television: CBS Goes Public - With A Vengeance (article by Robert Sklar); Bucking The System...Or Buckling Under (articles by Maurice Tourneur and King Vidor, with an introduction by Richard Koszarski); Film Noir, Life Noir (article by Peter Hankoff); A Reader's Digest Of The Avant-Garde (article by Amos Vogel); Interview: Arthur Penn (by Stuart Byron and Terry Curtis Fox); THE MISSOURI BREAKS (review article by Charles Michener); Film Apres Noir (article by Larry Gross); Britannia Waives The Rules (article by Raymond Durgnat); Books: Film reference books reviewd by Richard T. Jameson; reviews of "Movie-Mad America" and "America In The Movies" by Gerald Weales.

Issue 54
May/June 1976

L.A. Journal (by Stephen Farber); Murnau: NOSFERATU and SUNRISE (review articles by Robin Wood); Plots and Patterns: FAMILY PLOT (review article by Roger Greenspun); Two Or Three Things I Know About GASLIGHT (review article by Andrew Sarris); The Power And The Gory: TAXI DRIVER (review article by Patricia Patterson and Manny Farber); Independents: Programmers' Notes (article by Amos Vogel); In Memoriam (obituaries for Luchino Visconti and Howard Hughes, by James McCourt and Andrew Sarris); The Industry: Getting Snuffed In Boston (article by Peter Birge and Janet Maslin); Television: Yesterday, Tonight and Tomorrow (article by Brooks Riley); Meep! Meep! (article by Richard Thompson; Diary Of A Mad Cel-Washer (article by Chuck Jones); Two Faces Of Bergman (articles by Charles Michener and Samson Raphaelson); Tough Guy; an interview with James M. Cain (by Peter Brunette and Gerald Peary); Books: Four books about Jean Renoir reviewed by Jonathan Rosenbaum.

Issue 53
March/April 1976

Issue 52
January/February 1976

Sean Connery

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